About me


As a contemporary artist of more than 30 years, I also draw on opportunities working as a specialist decorator which has afforded me innumerable opportunities to collect waste materials such as scraps of wallpaper, dried paint, coloured sawdust and used sandpaper. I also use objects discovered within in my local environment, some found discarded and some naturally occurring weathered materials. These components are fused to create multi-layered, highly detailed works of sculptural abstract art.



Studio 54 Venice 2022
Studio 54 Venice 2022

Each background begins with a visual representation of an experience, on to which may be applied dozens of layers of additional material. The backgrounds are mostly obscured and ambiguous, leaving the observer to imagine how they relate to the sculpted surface. Each lamina is treated to create a specific effect and finish, dependent on its position and significance within the artwork. The surface processes may involve different types of detailed painting and colour wash, relief carving, cutting, tearing, abrading and burning.


'Work In Progress' Preview Vote Winner & Judges Choice Runner-Up Prize Upfront Arts Open Exhibition 2019
'Work In Progress' Preview Vote Winner & Judges Choice Runner-Up Prize Upfront Arts Open Exhibition 2019

My material manipulation techniques have been developed experimentally through processes transposed from my decorating craftsmanship. The use of recovered materials, amalgamated with emotive recollections of my immersion in the landscape, provides me with unlimited opportunities to create textural layers in my art which in turn reflect my gathering and collecting of inspiring elements of my own life experiences.


In my exploration of artistic experimental processes, I recycle and reuse canvases to reflect new experiences thus creating a layers of inherited memories within the piece. The final outcome is intended as an ongoing, serendipitous experience for the observer as the work reveals its infinitesimal detail captured within the strata over time.


The narrative in the organic-like layers of my abstractions echo my resonance with the ambiguity of everyday life; seen, hidden and implied. All my artworks contain rhythms derived from personal experiences and pay homage to the disciplines of my past, including my vocations as a professional footballer, dance teacher, specialist decorator and also from being a father to two children. Like the materials I collect for use at some time in the future, my life experiences and emotional records may have no particular prominence or intent at the time of storage but they re-emerge when triggered by my reflective scrutiny of life in the context of the wider landscapes.



Observers frequently comment that my attention to detail and the deliberate placement of minutia becomes more apparent with time so that the artwork resolves its initial apparent ambiguity through an ongoing narrative with the viewer. In this way, each artwork represents a period of discovery in my own life and includes my commentary on the ever changing world around us all.


Carlisle Living Magazine November 2018
Daniel Ibbotson


In addition to producing my own art for sale, I am also an Official Artist for the World Health Innovation Summit